I’ve ended up reworking five of my video works this year with a re-edit. It wasn’t that I was unhappy with them, but I left them thinking they needed something more, but I couldn’t quite think what. Being on line means you can publish faster, but this does not necessarily mean you have taken shortcuts […]
Furillen was unusual – it sprang up and disappeared in a very short time. There was no fanfare for closure, and no time for a reprieve. And that was right. Gertrude Jekyll, the great garden designer of the early 20th century, never wanted her gardens preserved. Without the gardener, the garden ceased to be a […]
My latest work is very short – ‘Solitude’ – a film poem. I did something that had a similar kind of form last year, but I only discovered earlier this year that the film poem (or poetic avant-garde film, verse-film or verse-documentary) was an existing idea with a history. But there is nothing new in […]
At the end of the last week, an idea came together for another machinima, this time located in Furillen in Second Life. A bleak, open sim, it’s based on a real life place – an island off the northeast coast of Sweden, where a limestone factory was turned into a hotel. Furillen has been recreated […]
Em hotep from Tizzy Canucci on Vimeo. An exercise in glitch and overlay. For me, Second Life has two main creative positions, both of which are equally valid. The first models the real world, representing it in realistic, or stylised, ways. The second goes out to achieve things that are not possible with the material […]
The rise of in-game photography has left people asking: when is a screenshot a photograph and is it ever art? Source: The photographer subculture inside Fallout, GTA and Left 4 Dead This is a piece written by Richard Moss, after an interview with me about why I create images in Second Life. I do not […]
I followed a link the other day to Ricco Saenz’s blog where he discusses Virtual photographing and windlight tips. I’d been discussing windlight earlier in the day and come to a quite different conclusion. What follows is not intended as a contradiction, but a continuing discussion on windlight; in the end, there is no wrong […]
