Of sharing and possessing
This year I have made my videos using Creative Commons material as usual. However, I realised when using a Beethoven piece that it was 250… Read More »Of sharing and possessing
This year I have made my videos using Creative Commons material as usual. However, I realised when using a Beethoven piece that it was 250… Read More »Of sharing and possessing
One of the things I have really spent a lot of time on – almost all of the end of 2019 and into 2020 –… Read More »Virtual World in Printmaking Exhibitions
I’ve ended up reworking five of my video works this year with a re-edit. It wasn’t that I was unhappy with them, but I left… Read More »No apologies for the re-edit!
Here is another kind of art I like: the anonymous, the cobbled together, the hand-me down, the postscript, collaborations between strangers that marry together jubilantly,… Read More »Marry together jubilantly
Opening at Queensland College of Art is an exhibition that has been a year in the planning by Alison James. My own contribution is My… Read More »Triangles Are Not My Genre
Even if art and film festivals are at a distance this year. The Anharmonic Film Festival is a new setup, but very much approaching this… Read More »And the festivals keep coming!
More details about the work selected for the Woolwich Contemporary Print Fair in November. It is one of the foremost printmaking fairs in the UK,… Read More »This Moment Brief, at Woolwich
Revised version, 2020 During summer 2020, Marina Münter’s exhibition Non-Perishable, of artwork in containers was shown again. It ws first at Art in the Park… Read More »New Art in Old Containers
On Flickr, there is a an SLBareFaceChallenge going on for Second Life avatars. At first I dismissed the idea of a bare face challenge, but… Read More »Bare Face Challenge?
At 37Gb of data, two pieces of music, 60 pieces of video equating to 120 edits in 10 minutes and 13 seconds, statistically out of… Read More »Came forth light