One of the things I like to do is blurring the lines between what is called ‘digital’ and what went before. ‘The digital’ is no longer new, nor is it some special space separated off from ‘real life’. Everything we do now has digital or digitised content. While new technologies enable different ways of doing […]
It was great to see photos of the sun shining on last weekend’s Supernova Outdoor Animation Festival, rather than the torrential rain of last year. In previous years there was a section specifically for machinima, but this time it was in the ‘Experimental Zone’. This was the third year running I had work selected for […]
In Amelie Marcoud’s installation Hikari* stacked televisions displayed repeated images in endless loops. My latest machinima, Repeat Hikari, took the looping repetition and hesitations of the installation, and reworked them with the hesitations and jumps of video editing. Apart from being a deliberate choice, short loops reflect to the technical limitations of Second Life. Looping […]
I’m delighted that my interview for Women CineMakers has now been published in their Biennale Special Edition on Independent Cinema, Documentary, Dance Video, Experimental cinema and Video art. It starts on page 52. The magazine also features the work of Glasz DeCuir, who also works in (or out of) Second Life. Direct links To the […]
At the current installation on the Delicatessen art sim, Meilo Minotaur asks visitors to Tell Me a Story. All the characters on the island have corresponding avatars one can pick up by the entry point. They do not have names. The scenes are separate. So how are they linked? This is the starting point. In my […]
Two of my works will be showing as part of the neo: artists’ ‘Interface’ exhibition in their amazingly good exhibition space in Market Place Shopping Centre in Bolton. The opening preview (all welcome) is on Saturday 31st March, 2 – 4pm, then it runs to 20th May, open Thursday-Sunday from 11am-5pm. Admission is free and […]
This term I have been teaching for the first time, and there were two things that I wanted to get across. One is the immense power of the behemoths of the internet (including Google and its right arm, YouTube), and the historically contested nature of the internet. It was never quite the place of harmony […]
Retelling a popular story is never a waste of time. It is in the rereading and retelling that stories are kept alive, and the reinterpretations revitalise the original. In The Digital Pilgrims, I set out to portray Chaucer’s Canterbury travellers in another, very different, setting. The type on the pages of a book may be […]
