This has been an incredible year with some major successes, tempered with some severe set-backs. But what matters is that I’m still here, and the successes outweigh the losses! The latest amazing ‘up’ is another selection for an international exhibition, this time for Future City. Following Supernova in Denver, it’s Foresight Filmfestival in Berlin. It […]
It took a longer time to think this latest video, Art Tartaruga, through for two reasons. One I can’t just was over was a significant actual world injury which restricted my computer use for nearly three months. It is bliss to get back both physically and creatively. But the other was a more usual one […]
Good news… my submission to Supernova Digital Animation Festival has been accepted! Very pleased, for several reasons this year. The video is Repeat Hikari, which also was shown as a part of an academic conference last year. I have previously written a blog post about Repeat Hikari, The Art of Looping and Repeating, and I […]
This the first video I have made for a while, following my enforced break from online activity. The choice took more time to make than surface appearances suggest. My worry was that it was too obvious. There are rumours that Chouchou will be closing soon, so I might just be indulging in personal nostalgia. I […]
One of the things I like to do is blurring the lines between what is called ‘digital’ and what went before. ‘The digital’ is no longer new, nor is it some special space separated off from ‘real life’. Everything we do now has digital or digitised content. While new technologies enable different ways of doing […]
It was great to see photos of the sun shining on last weekend’s Supernova Outdoor Animation Festival, rather than the torrential rain of last year. In previous years there was a section specifically for machinima, but this time it was in the ‘Experimental Zone’. This was the third year running I had work selected for […]
In Amelie Marcoud’s installation Hikari* stacked televisions displayed repeated images in endless loops. My latest machinima, Repeat Hikari, took the looping repetition and hesitations of the installation, and reworked them with the hesitations and jumps of video editing. Apart from being a deliberate choice, short loops reflect to the technical limitations of Second Life. Looping […]
I’m delighted that my interview for Women CineMakers has now been published in their Special Edition on Independent Cinema, Documentary, Dance Video, Experimental cinema and Video art (Women CineMakers vol. 11). The interview starts on page 52. The magazine also features the work of Glasz DeCuir, who also works in (or out of) Second Life. […]
