Mixed realism in a future city. Archive footage and virtual world meet across time in urban space. In this machinima, I recorded some of Cica Ghost’s latest installation in Second Life, Future, and overlaid it with The City, a film from the FDR Presidential Archive on the future of the American city made in 1939. […]
Retelling a popular story is never a waste of time. It is in the rereading and retelling that stories are kept alive, and the reinterpretations revitalise the original. In The Digital Pilgrims, I set out to portray Chaucer’s Canterbury travellers in another, very different, setting. The type on the pages of a book may be […]
Linden Lab has long granted licenses to Second Life residents for the taking of snapshots and machinima, reflecting how Second Life was established as a user created space that encouraged creativity and content reuse. In many other games, where they were created by teams of developers, the making of machinima was contested as a breach […]
Making the video Artistic ideas always have inspiration from somewhere, but sometimes the inspiration is more simple and direct than others. In this case, it was a visit to an exhibition put together by a friend, Indigo Claire. I arrived thinking I was too late for the opening, but I’d misread and I was a […]
First of all thank you! The response I’ve had to my work during 2016 has been astonishing. While it’s important to find your own voice in creativity and follow your own ideas, I like to know that I am connecting with people. This year’s review is different. I have made many more machinima (videos) (on […]
Insilico is closing. I’d long wanted to make a machinima there but I couldn’t get an idea that didn’t seem clichéd. I felt the need to do something to record the sense of place, and not simply to make a travel documentary. I wanted to extend the ideas and portrayal of dystopia within Insilico to […]
This time I thought I’d talk a bit about the process of putting together a machinima, using the example of my latest, Symphony for a Lost King. The program I use is Lightworks. It’s available on a two week renewable free licence. The limitations compared to the full price version is just in the output […]
